I feel humble in front of Tagore's profound interest and care for his nation. It is seldom when man of art (poet, novelist, painter) goes out of his own private creative universe and mitigates for his country's rights, analyzing the causes and suggesting solutions.
Showing posts with label painter. Show all posts
Showing posts with label painter. Show all posts
Monday, June 15, 2015
Rabindranath Tagore. Gora.
This is my first novel by Rabindranath Tagore. So far I've read only his poems. "Gora" represents a veil under-covering a hidden world, a different India compared to our expectations. One that struggles beneath the casta rules, that tries to cope with heart and religion in front of society's challenges.
I feel humble in front of Tagore's profound interest and care for his nation. It is seldom when man of art (poet, novelist, painter) goes out of his own private creative universe and mitigates for his country's rights, analyzing the causes and suggesting solutions.
I feel humble in front of Tagore's profound interest and care for his nation. It is seldom when man of art (poet, novelist, painter) goes out of his own private creative universe and mitigates for his country's rights, analyzing the causes and suggesting solutions.
Labels:
book,
books,
Gora,
literature,
painter,
paintings,
poet,
Rabindranath Tagore,
reading,
writer
Thursday, May 28, 2015
The Penitent Magdalene by Tintoretto
I've been so obsessed with this incredible painting since I came across it. It is named The Penitent Magdalene, painted by Domenico Tintoretto around 1598.
I searched the web for explanations about it as it seems so controversial to me, though I couldn't find any detail behind its conception.
I wonder why.
This painting emanates such incredible erotic sensations, generated by the entire choice of colors -all of them are tones of gold and browns, matching the silky and soft skin of the saint and exacerbating the carnal impression. The shadows are rarely seen in religious paintings and here they create an effect of sensuality, together with the feminine golden hair curls and full lips. The look of Magdalene is mysterious, not revealing the penitence or other heavenly call, but rather intriguing. The crucified Christ is placed in an obscure manner and after looking at Magdalene's face, the viewer's look is captured by the wrapping cloth, with its woven texture that I associate with a snake skin, giving a deceiving illusion.
I am captivated by this painting. I wonder why Tintoretto chose such a non-religious approach - it seems very offensive for the period he lived in.
I searched the web for explanations about it as it seems so controversial to me, though I couldn't find any detail behind its conception.
I wonder why.
This painting emanates such incredible erotic sensations, generated by the entire choice of colors -all of them are tones of gold and browns, matching the silky and soft skin of the saint and exacerbating the carnal impression. The shadows are rarely seen in religious paintings and here they create an effect of sensuality, together with the feminine golden hair curls and full lips. The look of Magdalene is mysterious, not revealing the penitence or other heavenly call, but rather intriguing. The crucified Christ is placed in an obscure manner and after looking at Magdalene's face, the viewer's look is captured by the wrapping cloth, with its woven texture that I associate with a snake skin, giving a deceiving illusion.
I am captivated by this painting. I wonder why Tintoretto chose such a non-religious approach - it seems very offensive for the period he lived in.
Subscribe to:
Posts (Atom)


